Menu
Ghum Hai Kisikey Pyaar Meiin managed to become one of Indian television’s biggest shows shortly after its debut in 2020. As viewers were adjusting to new, post-pandemic storylines, this show stood out as one of the key drivers of the love triangle trend — a trope that continues to linger despite growing viewer fatigue. However, the series gained fresh momentum in its second season by focusing on Savi, the daughter of Sai and Virat. Now in its fourth chapter, the show presents several issues that are hard to overlook.
The second season, which introduced Savi’s journey, was undoubtedly a compelling one and resonated strongly with audiences. The pairing of Savi and Ishaan was widely loved, and the duo carried the narrative beautifully. Viewers were stunned when Ishaan was abruptly killed off to pave the way for a new beginning for Savi and the show. While this sudden shift was initially met with hesitation, fans gradually accepted and embraced the new pairing of Savi and Rajat. Bhavika Sharma and Hitesh Bharadwaj formed a remarkable on-screen partnership that became one of the most cherished pairings on Indian television in recent times.
As has become evident, television networks today are reluctant to end shows, often choosing instead to stretch successful franchises by introducing new characters and story arcs. The third season followed this path, not with a generational leap, but by shifting focus to an entirely new family. However, due to pressure from ratings, yet another abrupt change in storyline has been introduced. The makers have chosen to kill off the female protagonist, Tejaswini, and bring back season 2’s Savi.
Here’s where it gets disappointing: Savi is no longer paired with Rajat, as he has been killed off too. Just like that, all the precious moments and love fans showered on #SaRaj have been discarded. Fans who had grown attached to Neil and Tejaswini’s pairing are also left disheartened.
On Indian television, a beloved jodi becomes more than just characters — they become an emotion. Savi and Rajat represented that bond. The way television couples influence audiences lasts far beyond an episode count, and moving a romantic lead around like a chess piece feels like a disservice. Let’s not forget that before Rajat, Savi was married to Ishaan — another adored pairing. Yet, fans found the strength to support Savi’s new beginning, and Rajat emerged as a strong and deeply endearing character.
To make matters worse, the show has now introduced dialogue implying Rajat and Tejaswini may have had an affair. And to complicate it further, little Saisha — who once championed the union of Rajat and Savi — is now rumored to play cupid between Savi and Neil in upcoming episodes. While these may be mere assumptions, they don’t take away from the fact that a meaningful love story was brought to a sudden, unnecessary end.
So the question arises: does true love and the concept of soulmates no longer exist on Indian television? This has always been one of the defining traits of Indian serials — deeply rooted in our cultural understanding of love, fate, and emotional connection. Do the emotions of viewers no longer matter? Do television couples and their characters no longer carry any dignity of their own? Why can’t shows gracefully conclude when they’ve reached their natural end?
In the race for ratings, the essence and core values that once defined Indian television are sadly being lost — or shall we say, ghum.
To be clear, we hold immense respect for every actor, crew member, writer, and creative mind behind Ghum Hai Kisikey Pyaar Meiin and every show. The questions raised here are not about individual talent, but about the broader direction our television storytelling is taking. We hope this sparks positive conversations and inspires the shift Indian television truly needs.
[Please Note: This article is exclusive to Urban Asian. Any re-use or re-purposing is not permitted]
