After a ten-year hiatus from film, acclaimed actor Park Si Hoo is set to make his much-anticipated return to cinemas with the upcoming movie Choir of God, a bold and original musical drama that’s already creating buzz for its unique concept and striking visuals.
The film tells the intriguing story of a fake praise choir formed in North Korea—a group created with the hidden purpose of earning foreign currency for the state. Set against the rarely explored backdrop of North Korea, Choir of God is being hailed as “the first music film of its kind”, combining political satire, human drama, and emotional storytelling.

Filming took place on an impressive scale, with production crews traveling across Mongolia and Hungary to capture the movie’s grand, cinematic visuals. The launch poster, unveiled on October 17, depicts Park Si Hoo in a North Korean military uniform standing before a snow-covered mountain, surrounded by orchestra members holding microphones, trumpets, and cellos—each symbolizing both artistry and propaganda. The image instantly piqued curiosity about the true nature of the so-called “Choir of God.”
In the film, Park Si Hoo takes on the role of Gyo Soon, a stoic officer from North Korea’s State Security Department who leads the fake choir. As the story unfolds, his character experiences a profound emotional transformation, navigating the line between duty, deception, and humanity.

Joining Park is Jung Jin Woon of 2AM, who plays a key opposing role, along with a talented supporting cast featuring Tae Hang Ho, Jang Ji Geon, Yoon Je Moon, Moon Kyung Min, and Han Jung Wan. Their combined performances are expected to bring intensity and heart to the film.
Directed by Kim Hyung Hyup, best known for the heartfelt comedy Daddy You, Daughter Me, the project promises a blend of laughter, emotion, and thought-provoking drama.
Choir of God is slated to hit theaters nationwide this December, marking a powerful and cinematic comeback for Park Si Hoo and an exciting new entry in Korean cinema’s ever-evolving landscape.
